
"The credit for the song goes to Meghalaya governor R S Moosahary, who is a former director-general of the force.
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it is the force of the brave)' (which is originally composed by Rahman as ‘Aazadi’ for the 2005 bollywood movie ‘Bose – forgotten hero’), praises the strength and valour of the force which is responsible for guarding the Indo-Pakistan and Indo-Bangladesh borders. Veeron ka hai ye dal (We are the Border Security Force.

The five minute song - `Hum Seema Suraksha Bal. The music composer, who enchanted the world with his `Jai Ho' number, has composed the theme song for the paramilitary force. The Border Security Force (BSF) jawans will now march to the beats of Oscar winner A R Rahman. Quality : Good | mp3 | 160kbps | Video-Rip Quality : Good | 39 MB | FLV | YouTube HQ-rip From here the story takes a twist and then on it's action all the way. Sudhi misunderstands Anjana's admiration for Kichan as love and thrashes poor Kichan severely and heartlessly, leaving him a wreck. Sudhi and his brothers Mahi (Saikumar) and Giri (Shammi Thilakan) are goons who have been unleashing a reign of terror in the city. Sudhi (Bala), who is very close to Anjana's family and who is a senior student in the college, wishes to marry her. The one who is most impressed with him and his performance is Anjana (Priyamani), who is his classmate. And then, on Freshers' Talent Search Day, he dazzles everyone with an extraordinary performance using all kinds of percussion instruments. On the first day itself he wins over the hearts of his classmates with his talk and his playing percussion with the desk. Kichan moves on to Kochi, to study in an engineering college. Their relationship has the blessings and approval of their elders and friends. His love interest is Sreedevi (Meera Nandan), who is the daughter of his father's close friend (played by Kalasala Babu). A lover of music, he is a master of percussion instruments, especially the 'mridangam'. Krishnakumar alias Kichan (Prithviraj), the son of pious Brahmin parents (Nedumudi Venu and Shobha Mohan), is a young guy with the best of tastes and habits. MUSIC CO-ORDINATED BY: NOELL JAMES AND FAIZUDDIN T.MIXED AT PANCHATHAN RECORD INN, AM STUDIO BY DEEPAK P.A & K.J.

SOUND ENGINEERS: S.SIVA KUMAR, DEEPAK P.A, KANNAN GANPAT, SURESH PERUMAL, VIVIANE CHAIX, MOHAMMED SAFIULLAH

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There, he learned how to write quickly and convey strong emotions in short musical snippets-two skills that would prove invaluable in India’s high-volume film industry.

He went on to study western classical music at Oxford, convert to Sufism and change his name, and then return to India to compose ad jingles. After the untimely death of his father, a musician and sometime film composer, Rahman began playing music professionally to support his family he was just 11 years old. Dileep Kumar in Madras (now Chennai), India, in 1966, Rahman had two obsessions growing up: music and technology. Rahman combines a fierce work ethic with an inquisitive, musically omnivorous approach that has forever changed India’s film-soundtrack industry.
